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MariƩ Abe

Associate Professor, Ethnomusicology
marie.abe@berkeley.edu
Sound and space, ethnography, human geography, sound studies, music and social movements, affect and the body, Japanese popular performing arts, critical ocean studies, public ethnomusicology

Edmund Campion

Professor, Composition
campion@cnmat.berkeley.edu
Instrumental and orchestral composition, hybrid acoustic and electronic music, musical applications of computer technologies, installation art, collaborative art

Carmine-Emanuele Cella

Associate Professor, Music Technology
carmine.cella@berkeley.edu
Instrumental and orchestral composition, smart instruments and hybdrid electroacoustic music, mathematical models for sound and signals, research on computer music technologies

Wei Cheng

Director of Choral Programs
weicheng1@berkeley.edu
Choral, repertoire, performance, conducting technique, new music

Cindy Cox

Professor, Composition
cacox@berkeley.edu
Contemporary music, piano, music technology, electronic music, opera, orchestra, chamber music

James Q. Davies

Professor, Musicology
jqd@berkeley.edu
nineteenth-century music, global music history, embodiment, political ecology, voice studies

Daniel Fisher

Affiliated Associate Professor, Ethnomusicology
dtfisher@berkeley.edu
media and music technology, sound studies, voice, Indigenous popular musics, Indigenous social movements, environmental anthropology, photography and cinema, Indigenous Australia

Jocelyne Guilbault

Professor, Ethnomusicology
guilbault@berkeley.edu
Theory and methodology in popular music studies, aesthetics and politics, music industries, diasporic formations, French- and English-Speaking Caribbean

Matthew Hough

Associate Professor (Teaching)
hough@berkeley.edu
composition, theory, performance

Lester Hu

Assistant Professor, Musicology
lesterzhu@berkeley.edu
Early Modern period (Renaissance/Baroque/late-imperial), global music history, songs and opera, music and empire-building, notation and grammatology, tuning

Nicholas Mathew

Professor, Musicology
nicholas.mathew@berkeley.edu
Eighteenth- and nineteenth-century music in Europe and its colonies, music and politics, the political economy of sound media, music and materialism, pianos and pianism

Myra Melford

Professor, Composition and Performance
mmelford@berkeley.edu
Improvisation, piano, jazz, experimental, chamber music

David Milnes

Professor, Conductor, Department Chair
dmilnes@berkeley.edu
Orchestra and small music ensembles, classical and avant-garde repertoires, conducting technique

Juan David Rubio Restrepo

Assistant Professor, Ethnomusicology and Integrative Studies
juanrubio@berkeley.edu
Latin American popular musics and global experimental practices; sound, race, and theories of the human; sound technologies; music circulation and media capitalism; drumming, improvisation, and composition

Mary Ann Smart

Professor, Musicology
masmart@berkeley.edu
Performance studies, music & politics, opera, gender & sexuality in music, sociology of music

Ken Ueno

Professor, Composition
kueno@berkeley.edu
Instrumental and orchestral composition, extended vocal techniques, experimental improvisation, sound art/installation, "instrumentalizing" architecture, hacked instruments,

Emily Zazulia

Associate Professor, Musicology
zazulia@berkeley.edu
Medieval, renaissance, music notation, history of music theory