Faculty
Professors
- Franck Bedrossian, Composition
- Benjamin Brinner, Ethnomusicology
- music cognition, Javanese & Balinese gamelan, Middle Eastern music
- Edmund Campion, Composition
- Cindy Cox, Composition
- James Davies, Musicology
- cultural performance, singers and voice, keyboard practice, anthropologies of listening, colonial melodrama, history of science, nineteenth-century physiology and sciences of the mind
- Jocelyne Guilbault, Ethnomusicology
- Ethnomusicology, Caribbean, popular and traditional musics, creolization, power, cultural politics, nationalism, diaspora.
- Marika Kuzma, Choral Director
- Nicholas Mathew, Musicology
- Enlightenment and Romantic music, Beethoven, Haydn, Vienna, music and politics, aesthetics, cultural studies, pianos and performance practice.
- Myra Melford, Improvisation and Jazz
- Improvisation in contemporary music, post-1960’s jazz studies, the music of the AACM, blues, North Indian music, Butoh, and multi-media collaborations.
- David Milnes, Orchestra Director
- Musical director, University Symphony Orchestra; orchestral conducting technique.
- Davitt Moroney, Musicology
- Tamara Roberts, Performance Studies and Ethnomusicology
- popular music, political economy, critical theory, performance theory, intercultural performance, scenography, music and spirituality
- Mary Ann Smart, Musicology
- Richard Taruskin, Musicology
- Theory of Performance, Russian music, Twentieth-century music, nationalism, theory of modernism, analysis.
- Ken Ueno, Composition
- Extended Vocal Techniques, Improvisation, Interactive Live Performance, Orchestra, Non-Western Instruments, Tube Distortion, Microtonality, Invented Instruments
- Kate van Orden, Musicology
- Bonnie Wade, Ethnomusicology
- Ethnomusicology; Asian music with emphasis on India (particularly North India) and East Asia (particularly Japan); focuses on genres, historical perspectives, improvisatory work, contemporary Japanese music, ethnography.
- David Wessel, Music & Technology
- Musical applications of computer and related technologies; music perception and cognition; composition and improvisation; interactive live performance.
Permanent Lecturers
Emeritus Faculty
- Wye Allanbrook, Musicology
- Late eighteenth-century music: Mozart opera, instrumental music; history of social dance; poetics of music.
- Richard Crocker, Musicology
- History of European musical style: medieval music, Gregorian and Frankish chant, polyphony (organum, discant, counterpoint), medieval theory of music, performance of chant and medieval polyphony, music in antiquity
- Alan Curtis, Musicology
- Elizabeth Davidson
- Mary Duggan, Musicology & Information Studies
- Music printing and publishing, music in Early Modern Europe, history of the book, music in the digital environment, liturgy, 19th-century American popular music.
- Edwin Dugger, Composition
- Richard Felciano, Composition
- Composition, contemporary music, environmental music, acoustics, mixed media, multicultural creative issues, extended instrumental and vocal techniques, history of electroacoustic music, application of cognitive psychology to advanced orchestration.
- Daniel Heartz, Musicology
- History of music, French Renaissance culture, eighteenth-century music, Italian opera, Mozart, Haydn.
- Joseph Kerman, Musicology
- Larry Moe, Musicology, University Organist
- Anthony Newcomb, Musicology
- Italian poetry, madrigals, and instrumental music (1540-1640), nineteenth-century music, musical aesthetics and criticism, Schubert, Schumann, Wagner.
- John Roberts, Musicology
- Music bibliography, Handel, French nineteenth-century opera.
- Michael Senturia, Orchestra
- Olly Wilson, Composition
- Composition, theory, twentieth-century music, electronic music, African and African-American music.
Lecturers & Visitors
- Jeanne Bamberger, Music Cognition Lecturer
- Robert Calonico, Wind Ensemble
- Timothy Fuson, Ethnomusicology
- Candace Johnson, Musicology and Voice
- CK Ladzekpo, African Music Ensemble
- Midiyanto, Gamelan
- David Pereira, Theory
- Doniel Mark Wilson, Gospel Chorus
Teachers of Special Programs
- Laurie Antonioli, voice: jazz
- Hrabba Atladottir, violin
- Deborah Benedict, voice
- Ken Berman, piano: jazz
- Jeff Biancalana, trumpet
- Louise Bidwell, piano
- Charlene Brendler, harpsichord, clavichord
- Robert Calonico, clarinet
- John Cheetham, trombone
- Jacqueline Chew, piano
- Jeff Davis, carillon
- Anna Carol Dudley, voice
- Rani Didi, voice: Indian classical
- George Emblom, organ
- Cecilia Engelhart, voice: jazz
- Leighton Fong, cello
- Rodney Gehrke, organ
- Lisa Gold, gamelan
- Michael Goldberg, guitar
- David Granger, bassoon
- Susan Gundunas, voice
- Alan Hall, percussion: jazz
- Katherine Heater, harpsichord, fortepiano
- Laura Klein, piano: jazz
- Jeffrey Marrs, percussion: jazz
- Frank Martin, piano: jazz
- Jeff Massanari, guitar: jazz
- Laurie McGaw, trumpet
- Julie McKenzie, flute
- Emma Moon, flute
- Carla Moore, Baroque violin
- Michael Orland, piano
- Sarah Rathke, oboe
- Elisabeth Reed, viola da gamba
- Glenn Richman, string bass: jazz
- Ellen Rose, viola
- Ellen Seeling, trumpet: jazz
- Irene Sharp, cello
- Allen Shearer, voice
- Benjamin Simon, viola
- Mariko Smiley, violin
- Karen Shinozaki Sor, violin
- Maria Tamburrino, flute
- David Taylor, lute, Baroque guitar
- Alicia Telford, French horn
- Hanneke van Proosdij, Baroque recorder
- Peter Wahrhaftig, tuba
- Robert Ward, French horn
- Martha Wasley, piano
- William Winant, percussion
- Dale Wolford, saxophone
- Betty Woo, piano
- Richard Worn, string bass
- Xiaofeng Zhang, erhu
- Daniel Zinn, saxophone: jazz
Visiting Bloch Professor
No Visiting Bloch Professor for Fall 2009.