Graduate students

Jamie Apgar, History and Literature
Early modern England, especially William Byrd
Ritwik Banerji, Ethnomusicology
Robbie Beahrs, Ethnomusicology
musical practices in Turkic Siberia, throat-singing, cultural politics, circulation, timbre, pedagogy, the voice
Laura Biggs, History and Literature
Yael Braunschweig, History and Literature
Music and medicine, music and scientific discourses; 19th-century Austro-German music, esp. Schubert, Schumann, Mahler, piano music, the song cycle.
Kristen Brown, History and Literature
Nils Bultmann, Composition
Lily Chen, Composition
Leon Chisholm, History and Literature
Music of the 16th and 17th centuries - Compositional Process - Music Pedagogy - Embodied Knowledge - Disability Studies - Historical Keyboards - Arcangelo Corelli - Scots Fiddling before 1800
Nell Cloutier, History and Literature, Alumni
Sean Curran, Medieval music, History and Literature
Singing, singers and songs in Latin, French, Anglo-Norman, Middle English, Occitan, and related literature, from 1100-1450; the thirteenth-century motet; paleography and codicology of music manuscripts; devotion, cognition and musical performance.
Elizabeth de Martelly, Ethnomusicology
Sivan Eldar, Composition
Robin Estrada, Composition
Emily Frey, History and Literature
Russian music, opera, music and literature, music and psychology, comparative literature, the 19th-century novel, Chaikovsky, Musorgsky, Pushkin, Dostoevsky, Tolstoy, singers and singing, American musical theatre, Richard Rodgers
Ofer Gazit, Ethnomusicology
Ian Goldstein, Ethnomusicology
Matthew Goodheart, Composition
Rama Gottfried, Composition
Melanie Gudesblatt, History and Literature
nineteenth- and twentieth-century opera, opera productions and broadcasts, film, the fine arts, voice in extremis (screams, silence), photography, cultural memory and memory studies
Jess Herdman, History and Literature
Margaret Jones, History and Literature
John Kapusta, History and Literature
voice; cultural models of vocal production and listening; western classical vocal pedagogy; biopolitics; performing arts medicine
Ravi Kittappa, Composition
Jonathan Kulpa, Composition
Ursula Kwong-Brown, Composition
Jonathan Lee, History and Literature
Andrew V. Ly, Composition
aesthetics; philosophy of music/art; contemporary opera; movement/drama/action in music
Jonathan Meci, History and Literature
Allan Mugishagwe, Ethnomusicology
Music in Development Agencies, Positions of Indigenous African Musical Practices in Present-day African Societies, cultural politics, globalization
Jose Neglia, Ethnomusicology
Tiffany Ng, Ph.D. Candidate in Musicology (History & Literature) with a Designated Emphasis in New Media, Carillon, History and Literature
the politics of public sound, new media studies, film music, audio technologies, historical keyboards
Michael Nicholas, Composition, Composition
Kirsten Paige, History and Literature
Nineteenth-century German music, opera, philology, aesthetics, music-text interactions, Richard Wagner, Romanticism, metrics and prosody, German folksong
Olga Panteleeva
Hong-June Park, Ethnomusicology
Acoustemology, Concept Work, ARC: Anthropological Research on the Contemporary, Michel Foucault, Extreme Metal, Meshuggah, Dying Fetus.
Camille Peters, History and Literature
19th and early 20th European art music, reception history, reception of "classical music" in the 20th century, nationalism, music criticism, sociology, historiography, 1970s black music and culture
Ulrike Petersen, History and Literature
19th- and early 20th-century Austrian & German music, politics & music, reception history, historiography, operetta & film, fin-de-siècle Vienna, Third Reich and Cold War musicology, diva culture, Brahms and both Mendelssohns.
Sumitra Ranganathan, Ethnomusicology
Amadeus Regucera, Composition
Francesca Rivera, Ethnomusicology
Panamianian folk music. U.S./Latin American popular musics. Mass media, the construction of identities through pop music/pop culture. Mestizo/mixed-race identities.
Ilya Rostovtsev, Composition
Kendra Salois, Ethnomusicology, Ethnomusicology
Moroccan and North American hip hop, circulations and diasporic space, neoliberalization and globalization
Ian Saxton, Composition
Matthew Schumaker, Composition
Thatchatham Silsupan, Composition
Merav Singer, Ethnomusicology
Andrew Snyder, Ethnomusicology
Music in India
Anicia Timberlake, History and Literature
Music in the German Democratic Republic, Pfitzner's "Palestrina"
Rachana Vajjhala, History and Literature
Rafael Valle, Composition
Kendra Van Nyhuis, Ethnomusicology
Rachel Vandagriff, History and Literature
Dan VanHassel, Composition, Composition
Jen Wang, Composition
Jiselle Warner, Ethnomusicology