Graduate students

Marié Abe, Ethnomusicology
Rebekah Ahrendt, History and Literature
French opera outside of France; Huguenots; 17th- and early 18th-century instrumental music; viola da gamba; French cantata; gothic; uses of early music in pop genres
Duncan Allard, Ethnomusicology
Robert Beahrs, Ethnomusicology
Laura Biggs, History and Literature
Gregory Bloch, History and Literature
Nineteenth-century opera and singers, esp. tenors; history of vocal physiology and Manuel Garcia Jr.; new histories of minimalism; high and low culture in the 1970s
Rebecca Bodenheimer, Ethnomusicology
Afro-Cuban and circum-Caribbean folkloric and popular musical practices, North American hip hop, discourses of place and the production of authenticity.
Yael Braunschweig, History and Literature
19th-century solo piano music, Schumann, the song cycle, Mahler, Vienna at the fin-de-siecle, the Second Viennese School
Carla Brunet, Ethnomusicology
Nils Bultmann, Composition
Sarah Carsman, Ethnomusicology
Leon Chisholm, History and Literature
Nell Cloutier
David Coll
Theatre, Electronics (sound, images, light), Notational Systems, Performance Art, Collaborative endeavors, and Installations.
Daniel Cullen, Composition
Sean Curran, History and Literature
Interactions between secular and sacred medieval traditions; visual aspects of music manuscripts; memory, orality and medieval sense-perception; hermeneutics of song; history of music theory.
Scott Edwards, History and Literature
Sivan Eldar, Composition
Robin Estrada, Composition
Evelyn Ficarra, Composition
Vocal writing; experimental music theater; electroacoustic music (combining live instruments and electronics); collaborations with dance, film, photography; sound installations
Heather Frasch, Composition
Emily Frey, History and Literature
19th-century Russian opera, Russian music and psychological prose, Pushkin, Chaikovsky, music and intellectual property law, singers and singing, American musical theatre
Matthew Goodheart, Composition
Rama Gottfried
Hannah Greene, History and Literature
Early 20th-century European art music, esp. in Weimar Germany and the Czech Republic; music composed in Terezin; reception history; sociology of music; music and politics; South African choral music
Jess Herdman
Pattie Hsu, Ethnomusicology
Miki Kaneda, Ethnomusicology
Jonathan Lee, History and Literature
Jason Levis, Composition
Rita Lindahl, Ethnomusicology
Music cognition.
Jimmy Lopez, Composition
John MacCallum, Composition
Adeline Mueller, History and Literature
Austro-German and French opera and ballet of the late 18th-early 19th centuries; early film music, film sound, and the film musical; American art song and popular song; histories of listening and the audience; spectacle.
Allan Mugishagwe, Ethnomusicology
Jose Neglia, Ethnomusicology
Tiffany Ng, Carillon, History and Literature
Michael Nicholas
Olga Panteleeva
John-Carlos Perea, Ethnomusicology
American Indian Powwow music and culture, notions of urban American Indian identity, Jim Pepper
Camille Peters, History and Literature
19th and early 20th European art music, reception history, reception of "classical music" in the 20th century, nationalism, music criticism, sociology, historiography, 1970s black music and culture
Ulrike Petersen, History and Literature
19th- and early 20th-century Austrian & German music, politics & music, reception history, historiography, operetta & film, fin-de-siècle Vienna, English choral music, Brahms and both Mendelssohns.
William Quillen, History and Literature
Russian & Soviet music; symphonic music; Bach
Sumitra Ranganathan, Ethnomusicology
Amadeus Regucera, Composition
music theater & 20th century opera; political, social and cultural influences on compositional process; aesthetics; The Operas of Luigi Nono; The Formal Procedures in the Music of Wolfgang Rihm
Emily Richmond Pollock, History and Literature
Opera and reconstruction in Germany post-1945, twentieth-century music, Gaetano Donizetti.
Francesca Rivera, Ethnomusicology
Panamianian folk music. U.S./Latin American popular musics. Mass media, the construction of identities through pop music/pop culture. Mestizo/mixed-race identities.
Kendra Salois, Ethnomusicology
Moroccan and North American hip hop, circulations and diasporic space, neoliberalization and globalization
Matthew Schumaker
Jennifer Sheppard, History and Literature
Merav Singer, Ethnomusicology
Chelsea Spangler, Ethnomusicology
Anicia Timberlake, History and Literature
Music in the German Democratic Republic, Pfitzner's "Palestrina"
Rachana Vajjhala, History and Literature
Rachel Vandagriff, History and Literature
Dan VanHassel
Damon Waitkus, Composition
Jen Wang, Composition
Liza White, Composition
Robert Yamasato, Composition