Student

Max Jefferson

Musicology

Musicologist Max Jefferson (she/hers) centers her research around the agency and representation of Black bodies in American art music of the twentieth- and twenty-first centuries. Her masters thesis, “American Pseudo-Realism: The Subversion of Black Agency in George Gershwin’s Porgy and Bess,” interrogates the 1935 opening productions of Gershwin’s Porgy and Bess not as musical art but as propaganda. She is currently continuing her archival work in pursuit of reparation and equity for marginalized bodies and voices in the dominant historical narrative.

As a singer, Jefferson first...

Allison Jerzak

Musicology

Allison Jerzak’s research on the history of digital music and music recommendation sits at the intersection of Historical Musicology, Science and Technology Studies, and Critical Data Studies. Her work experience in the technology sector — first at Epic Systems as a Project Manager, and then at the Willy Street Co-op as a Data Analyst — sparked an interest in sociotechnical systems. In particular, she became interested in how workers at various technology companies were seen as “experts” in fields such as healthcare, despite often having only technical expertise. Over time...

Alfred Jimenez

Composition

Alfred was born in Kyiv, Ukraine, with a Ukrainian mother and a Cuban father. The family moved to Sweden when he was 4 years old, where he started his musical journey by playing the trombone. After two years of bachelor studies with the trombone as his primary subject, he was admitted to study composition with Prof. Jan Sandström at Piteå Academy of Music. After accomplishing his bachelor’s exam in composition, Alfred continued with master studies in Malmö Academy of Music with Prof. Luca Francesconi. Alfred received his master’s degree in spring 2015 after graduating with his second...

Mara Lane

Musicology

Mara focuses on opera staging and theories of acting. Her interests lie in how artistic process can be revealed to and noticed by audiences. She has a forthcoming article in Diderot Studies on theatrical asides in the Paradoxe sur le comédien and listening practices in the 18th-c. Parisian theater. She has presented at the Transnational Opera Studies Conference on backstage documentaries and at the Northern California Chapter of the American Musicological Society on acting surprised. In Fall 2022, she and Collin Ziegler co-convened the conference Contemporary Opera on Stage: Institutions...