NOTE: Audition information is for Fall 2024 only. Check back in early January for Spring 2025 auditions.
Membership in UC Berkeley Symphony Orchestra (UCBSO) and UC Berkeley Philharmonia Orchestra (UCBPO) is by audition only, and is open to Berkeley students as well as community members held every fall and spring before each semester begins.
UCBSO Fall 2024 Schedule Overview HERE. UCBPO Fall 2024 Schedule Overview HERE.
Fall 2024 auditions will consist of a pre-screening process, followed by an in-person interview.
If you have any questions or concerns (including any deadline extensions), please contact BOTH Julieanna Guo at julieannaguo(at)berkeley(dot)edu and Thomas Green at greent(at)berkeley(dot)edu.
Re-Audition Info:
ALL returning and new members need to re-audition. This includes those who were in Philiharmonia Orchestra and wish to switch to Symphony Orchestra.
IMPORTANT: The deadlines listed below are for best consideration, but UCBSO accepts auditions at any time. For any form and video submissions after 8/23, please contact BOTH Julieanna Guo and Thomas Green for next steps.
Pre-Screening (for best consideration, forms and videos are due by Fri. 8/23 at 11:59pm Pacific Time):
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Upload a video recording of required excerpts on YouTube.
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Video requirements are available at the bottom of this page.
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Fill out an audition form
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You will hear back by Sun. 8/25 latest whether you are invited for an in-person interview.
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If submission forms and videos after 8/23, please contact Julieanna Guo and Thomas Green for next steps. Note: Not all members may have an in-person interview to be accepted into either orchestra.
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The following members should expect to have in-person interview:
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All new members
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All music majors, new and returning
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Anyone else will be on a cas-by-case basis
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Final audition results will be sent after ALL in-person interviews are complete - by Thurs. 8/29 afternoon latest, before the first UCBSO rehearsal Thurs. 8/29 evening.
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In-Person Interview (held Mon. 8/26 ~Thurs. 8/29):
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If you are invited to an in-person interview, you will receive an email by Sun. 8/25 latest with a link to sign up for a time slot
- All in-person interview are held in Morrison Hall - room 102.
- Members may or may not be invited to an in-person interview to be accepted. You will be notified if an in-person interview is not needed by Sun. 8/25 latest.
- Final audition results will be sent after ALL in-person interviews are complete - by Thurs. 8/29 afternoon latest, before the first UCBSO rehearsal Thurs. 8/29 evening.
- For any auditions after 8/24, please contact BOTH Julieanna Guo and Thomas Green for next steps.
NOTE: The first rehearsal for UCBSO is Thurs. 8/29, 7:30-10:00pm in Hertz Hall. The first rehearsal for Philharmonia Orchestra is Wed. 9/4, 8:00-10:00pm in Hertz Hall.
Audition Video Requirements (video due by Fri. 8/23 at 11:59pm Pacifici Time):
- Solo Piece: a portion of a piece or multiple pieces that demonstrate both fast and slow playing (not to exceed 5 minutes total).
- Orchestra Excerpts: as listed below (unless stated otherwise, ALL listed excerpts must be prepared).
- Video Guidelines:
- Video should be recorded in 1 single take, if possible. If not, piece together all excerpts in 1 file.
- Using smartphone footage or another device with a clear camera and microphone is acceptable.
- Upload your video to YouTube - should be published as “Unlisted”
- Name your video in this format:
- UCBSO Fa24 Audition - [Instrument]_[Last Name]_[First name]
- Ex: UCBSO Fa24 Audition - Trumpet_Green_Thomas
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Include the YouTube link on your audition form. Please ensure the link is accurate and working before submitting your form.
Orchestra Excerpts
Violin
1. Brahms – Symphony No. 1, 1st movement, mm 1-9.
2. Beethoven – Symphony No. 3, 3rd movement, beginning through 1st ending.
Viola
1. Shostakovich – Symphony No. 5, 1st movement, rehearsal 15 until 17.
2. Beethoven – Symphony No. 3, 3rd movement.
Cello
1. Mozart – Symphony No. 35, 1st movement
2. Beethoven – Symphony No. 3, 3rd movement.
Bass
1. Beethoven – Symphony No. 5, 2nd and 3rd movements, as indicated.
Flute
1. Beethoven – Leonore Overture No. 3, 328-360.
2. Ravel – Daphnis et Chloé, Suite No. 2, rehearsal 176 – 2 after 179.
3. Mendelssohn – Midsummer Night’s Dream, Scherzo, 2 before P – end.
Oboe
1. Schubert – Symphony No. 9, 2nd movement, mm. 8-30.
2. Rossini – La Scala di Seta Overture, beginning until rehearsal 3.
3. Brahms – Violin Concerto, Mov. II, mm. 3-32.
Optional:
Ravel – Le Tombeau de Couperin, 1st movement (Prelude), beginning through first ending.
Clarinet
1. Mozart – Clarinet Concerto, 1st movement, beginning of solo through m. 154.
(The Mozart may also be used as your prepared solo piece)
2. Beethoven – Symphony No. 8, 3rd movement, Trio (mm. 48-78).
Bassoon
1. Stravinsky – Firebird Suite, Berceuse, rehearsal number 1-8.
2. Rimsky-Korsakov – Scheherazade, 2nd movement, beginning to letter A.
3. Beethoven – Symphony No. 4, 4th movement, 184-190; 350-end.
French Horn
1. Mahler – Symphony No. 3, 1st movement, opening to rehearsal 2.
2. Brahms – Symphony No. 3, 3rd movement, letters B to C.
3. Shostakovich – Symphony No. 5, 1st movement, rehearsal 17-21.
For principal consideration:
1. Shostakovich – Symphony No. 5, 1st movement, rehearsal 36-39.
2. Strauss – Till Eulenspiegel, beginning until rehearsal 1.
Trumpet
1. Mahler – Symphony No. 5, solo.
2. Mussorgsky/Ravel – Pictures at an Exhibition, opening solo.
3. Beethoven – Leonore Overture No. 3, trumpet call.
For principal consideration:
1. Stravinsky – Petroushka, Dance of the Ballerina, rehearsal 69-70.
Trombone
1. Wagner – Die Walküre, Ride of the Walküres.
2. Rossini – La Gazza Ladra Overture, rehearsal F-G, rehearsal I – m. 442.
3. Wagner – Tannhäuser, Overture m. 378 – end.
4. Mozart – Requiem, No. 3, Tuba Mirum.
Tuba
1. Wagner – Die Meistersinger, Prelude.
2. Wagner – Die Walküre, Ride of the Walküres.
Percussion
Please contact Marty Thenell at Martythenell(at)gmail(dot)com for excerpts. Also communicate with both Thomas Green (email above) and Marty Thenell about in-person audition signup process or access to percussion instruments.
Piano
1. Bernstein – West Side Story, Mambo, mm. 404-437.
2. Copland – Appalachian Spring, rehearsal 6-14, 30-31.
Harp
1. Mahler – Symphony No. 5, Adagietto
2. Tchaikovsky – Nutcracker Suite, Waltz of Flowers