Chilean urban musics, Salvadoran folk/popular musics, nueva canción, cultural memory, circulation, race, gender, performance
Composer Oren Boneh has upcoming performances from Ensemble Reconsil, Vertixe Sonora and The Nebula Ensemble and previous performances by ensembles such as Ensemble Divertimento, Ensemble Meitar, Ensemble Regards, Ensemble Pentaèdre, the Playground, Ensemble Transmission and Architek Percussion. » read more »
Research interests: Tunisian musics, cosmopolitanism, hybridity, revolution, multicultualism, post-colonial studies, youth, and tourism
Middle Eastern popular music, Lebanese alternative/indie musics, circulation/networks, disciplining listeners, aurality, affect, performance
I am currently a PhD Candidate specializing in the musics of the Mediterranean, Middle East and North Africa, as well as in American Roots genres. As a scholar, teacher, and performer, I am interested in embodied and social cognition—how musicians learn and think through their bodies, as well as in relation to others—and in the relationship between musical thinking and collective memory, particularly in the Western Mediterranean.
Melanie began her studies at Cornell University (BA in Music, 2009) and received a masters from King’s College London (MMus, 2011) before entering the PhD program in Music History and Literature at UC Berkeley. » read more »
Maija Hynninen – composer and sound artist – incorporates in her work the human voice, live electronics and multidisciplinary performances. She writes virtuoso parts for the musicians yet captures a sense of lightness of texture. The music is often governed by linear thinking while the harmony gravitates towards quarter tones. The textures often combine noise and pitch which result in ambiguity of timbre.
John Kapusta is a Visiting Instructor in the Music Department at Colgate University and a PhD candidate in Music History and Literature at the University of California, Berkeley, where he was supported by a Mellon Discovery Fellowship. His dissertation examines the impact of new practices of self-cultivation on American art music composition, performance, and reception in the long 1970s.
Kirsten S. Paige studied first at the University of Chicago (AB in Music History & Theory, 2011) and the University of Cambridge (MPhil in Musicology, 2012), before coming to the University of California, Berkeley to pursue a PhD in Music History and Literature. » read more »
I am in the third year of the Ethnomusicology graduate program at UC Berkeley and received my BA in Music from the University of Chicago. I am interested in centering (and reimagining) Jordan in scholarship on classical Arabic music; narratives of decline; and musicians’ labor.
German music and secularization in the early 19th century, sacred romantic music, secular critique, history and philosophy of aesthetics, music and theology, romantic media technologies, music and belief.
Research Interests: South Korean Rock and Popular Music, Scenes, Race, Intercultural Collaboration, Urbanism, Performance, East Asian Modernities, South Korean Traditional Musics, Voice Studies, Organology
Jen Wang’s work has been featured at the Wellesley Composers Conference, the International Computer Music Conference, the Bang On A Can Summer Institute, the California EAR Unit Residency at Arcosanti, the Music ’03 and ’04 festivals, and the SPARK Festival. » read more »
Brazilianist scholar and musician looking at pedagogy in demographically and geographically modified samba groups. Other interests include sacred Afro-Brazilian music, popular musics of Brazil and the U.S., Afro-Cuban music, critical pedagogy, critical theory.