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Edmund Campion
Professor, Composition
Instrumental and orchestral composition, hybrid acoustic and electronic music, musical applications of computer technologies, installation art, collaborative art
Delia Casadei
Assistant Professor, Musicology
Voice, twentieth-century music, ideologies of language, sound studies, modernism
Carmine-Emanuele Cella
Assistant Professor
Instrumental and orchestral composition, smart instruments and hybdrid electroacoustic music, mathematical models for sound and signals, research on computer music technologies
Wei Cheng
Director of Choral Programs
Choral, repertoire, performance, conducting technique, new music
Cindy Cox
Professor, Composition
Contemporary music, piano, music technology, electronic music, opera, orchestra, chamber music
James Q. Davies
Professor, Musicology
nineteenth-century music, global music history, embodiment, political ecology, voice studies
Jocelyne Guilbault
Professor, Ethnomusicology
Theory and methodology in popular music studies, aesthetics and politics, music industries, diasporic formations, French- and English-Speaking Caribbean
Matthew Hough
Associate Professor (Teaching)
composition, theory, performance
Lester Hu
Assistant Professor, Musicology
Early Modern period (Renaissance/Baroque/late-imperial), global music history, songs and opera, music and empire-building, notation and grammatology, tuning
Nicholas Mathew
Professor, Musicology
Eighteenth- and nineteenth-century music in Europe and its colonies, music and politics, the political economy of sound media, music and materialism, pianos and pianism
Myra Melford
Professor, Composition and Performance
Improvisation, piano, jazz, experimental, chamber music
David Milnes
Professor, Conductor, Department Chair
Orchestra and small music ensembles, classical and avant-garde repertoires, conducting technique
Mary Ann Smart
Professor, Musicology
Performance studies, music & politics, opera, gender & sexuality in music, sociology of music
Ken Ueno
Professor, Composition
Instrumental and orchestral composition, extended vocal techniques, experimental improvisation, sound art/installation, "instrumentalizing" architecture, hacked instruments,
Emily Zazulia
Associate Professor, Musicology
Medieval, renaissance, music notation, history of music theory
